Haydn Cello Concerto, subito piano spots

In the following places, make sure the dynamic is much softer than the music that comes directly before and after:

m10, all notes that happen during beats 1 and 2 (this includes the last 16^th note of beat 2). Beat 3 is forte

m16, starting with the & of beat 4 (last 8^th note). This lasts exactly one measure, going back to forte at m17, the & of beat 4.

m37, the & of beat 4. This lasts exactly one measure, going back to forte at m38, the & of beat 4

m79, the & of beat 4. This lasts exactly one measure, going back to forte at m80, the & of beat 4

m106, the & of beat 2 and 4 notes total (8^th/quarter, 8^th/quarter). Forte again m107, b2

m118, the & of beat 2. This lasts exactly one measure, getting a little more at m119, the & of beat 2. Overall, the dynamic should be soft for balance purposes (except 2^nd violins, who play with the cello)

m131, the & of beat 4. This lasts exactly one measure, going back to forte at m132, the & of beat 4